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This is a self-funded case study using our ad testing solution. Curious about the 9 essential ingredients for creating advertising that drives profitable growth? Explore our Creative Effectiveness Playbook.
Some would consider being labelled “annoying” a failure in the pursuit of creatively effective advertising. National Tiles has instead turned it into one of its greatest competitive advantages.
For over 40 years, Frank Walker’s unmistakable introduction has rung in the ears of Australians. Love it or (more likely) loathe it, the greeting has become part of our country’s advertising folklore, transcending its radio roots to enter the vocabulary of everyday Australians. Greet an Aussie with a drawn-out, nasally “Helloooo”, and odds are they’ll respond in kind with a “Frank Walker from National Tiles.” It’s the kind of brand recognition most advertisers could only dream of. And it wasn’t built through constant creative reinvention, but rather decades of unapologetic repetition.
Now partnering with the creative minds at Sunday Gravy, National Tiles has doubled down again. Unleashing Frank himself on television screens across the nation, his interruptions of seemingly conventional ads with his iconic greeting are ridiculous, intrusive, and exactly what we’ve come to expect from Frank Walker. Which is exactly why it works.
Behind the chaos is a masterclass in the two key principles of short-term advertising effectiveness: getting people to sit up and take notice and then leaving them in no doubt who it’s for.
Moment-by-Moment Emotional Activation
While positive emotions help build favourable long-term brand memories, to be successful in getting people to take action in the short-term advertising doesn’t always need to make people feel good. Instead, it just needs to make them feel alert, energised, or stimulated enough to pay attention. And with the tagline “Annoyingly Good,” Sunday Gravy and National Tiles had a clear strategy for getting noticed. The result was a level of annoyance that sat in the top 1% of ads we’ve ever tested.
But while plenty of brands have used irritation as a shortcut to attention, few have earned the right to be annoying in the same way National Tiles have. Why? Because after four decades of relentlessly reinforcing Frank's grating greeting, Australians know exactly who's behind the disruption. What might otherwise feel like a confusing grab for attention instead feels like a familiar character doing what he's always done, regardless of the medium. And that familiarity paid off, with brand attribution ranking among the top 10% of all ads we've ever tested.
And it seems this relentless commitment to the tagline has eventually won over Australians too, with people now greeting Frank and his familiar introduction with a certain reluctant fondness. Yes, people found the ad annoying, but perceptions of the brand itself being annoying were noticeably low. What's more, perceived wearout remained low too, despite irritation being a common trigger for advertising fatigue. Australians were clearly in on the joke, recognising a brand confident enough to poke fun at its own reputation.
At the end of the day, Sunday Gravy hasn’t made Frank and National Tiles less annoying. It’s made his annoyance more effective. And after 40 years of Australians being unable to get that greeting out of their heads, perhaps there’s a lesson for marketers who are often too quick to move on to the next big idea.
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